吉戎·阿非利加原名:Djon África,
Miguel Moreira, also known as Tibars, also known as Djon África, learns that genetics can be cruel when his physiognomy - as well as some of his strong personality traits - denounce him, straightaway, as his father’s son; someone he has never known. This intriguing discovery leads him to try to find out who this man is. All he knows about him is what his grandmother, with whom ...
L'llariit 2019-11-12
几处回声设计很有趣,贫瘠的风景逐渐取代主角的心理**,灵魂与**上的“自我放逐”开始失去同步,一边在融入一边驳斥自己是外乡人的言论却越发简概无力失去幽默,无法与过去和解,而且时间又是条抛物螺旋线,佛得角国旗上的星星就没有**的有内涵了
胤祥 2018-01-27
#2018IFFR# Hivos Tiger竞赛。**逗*小伙儿回……从未去过的老家佛得角寻亲的故事。带点流浪汉文学味道的公路片。直到遇到放羊老**之前都挺好的,人物比较有意思,视听语言也有趣。后面就……了。还是能看出俩导演是以前搞纪录片的,这片本身就有点混搭……
战将波舰金 2018-01-31
post-Afro film,很新颖的后黑人电影,延续了优良的传统,包括超现实,响亮,爆发性和**蛇尾。
炗尘梦烬 2024-04-27
颇有意趣的佛得角风情画。在出生地因“异族”格格不入,在祖籍地因“异客”宾至如归。从民族乐到古典乐再到电子,那些萦绕主线若即若离的交谈与暗语,如同Tarrafal波涛往复的浪潮。大地遍生顽石荒草,无言内收。海水吞没涩苦孤独,腥烈外溢。昏暗隐绰人潮涌动的室内,独居老人脸上斑斓变幻的霓虹光点恍若星辰。片尾七个空翻定格。惊现HONNE。
spidercapsule 2018-05-06
like unbelievably weirdly organized by some ******’ stupid post-modernism dumbass.