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季风来临前的最后一个芒果原名:The Last Mango Before The Monsoon,
The Last Mango Before the Monsoon has no central character, narrative arc or clear progression. Its scenes are non-linear and flow freely into one another. Rather than being a weakness, this is precisely the film’s strength. The film is perhaps the first clear example in Kapadia’s filmography of how sound can lead the process of image-******, with densely layered aural textures...