In this film he takes a real-world situation — a man sitting on an empty restaurant ter- race in winter — and rhythmically changes the perspectives of looking at him and the restaurant furniture, like Hokusai’s variations of view of the Fuji Mountain. This is one of his most structuralistic films.
保罗·麦斯卡、佩德罗·帕斯卡 
吕艳婷、囧森瑟夫 
过香积兽 2020-07-17
In this film he takes a real-world situation — a man sitting on an empty restaurant ter- race in winter — and rhythmically changes the perspectives of looking at him and the restaurant furniture, like Hokusai’s variations of view of the Fuji Mountain. This is one of his most structuralistic films.